Dance Biography (Extended)
Ballet Beginnings
Amanda trained in classical ballet for almost 20 years,
beginning at the age of four. Her first and most influential teacher
was Nila Horton, former soloist with Ballet West in Salt
Lake City, UT. She also studied with Ginger Gunn (Salt Lake City, UT) and
Janzy Limpert (Stanford, CA). During later years, Amanda dabbled in jazz
and modern dance as well. Amanda's mother worked for many years at Ballet
West, which allowed Amanda to attend numerous performances of and to volunteer behind
the scenes at a world-class professional company.
Middle Eastern Dance in Santa Barbara
Amanda began studying Middle Eastern dance in 1991 and has
been a dedicated student and accomplished performer of Middle Eastern
dance -- in its many varieties -- ever since. Her first teacher in
Middle Eastern dance, Alexandra King of Santa Barbara, CA, taught American-style
Bellydance from a musical/rhythmic orientation which formed a strong basis
for Amanda's continuing education in Middle Eastern dance. Amanda trained
with Alexandra for six years.
Amanda performed for five years with Alexandra's dance
troupe, Seher. Among many other venues, Seher performs regularly
with the UCSB
Middle East Ensemble, a 60-member musical ensemble in the Ethnomusicology
Program at UC Santa Barbara (Dr. Scott Marcus, director). This experience exposed
Amanda to a wide range of Middle Eastern dance and musical styles --
Egyptian, Lebanese, Turkish, Greek, Moroccan, Assyrian, and Persian,
to name but a few -- which continue to inspire her to this day. Amanda's
time with Alexandra and the Middle East Ensemble sparked an on-going desire
to explore further reaches of non-Western cultural dance styles and to
present them with cultural sensitivity and as much authenticity as possible.
While living in Santa Barbara, Amanda also had the opportunity
to study extensively with Ansuya and Judeen.
In December 1996, Amanda had the honor of performing a solo Oriental dance set with the UCSB Middle East Ensemble.
In early 1997, Amanda co-founded with a group of friends
a folkloric/Oriental troupe called No Man's Nomads, which performed at
the Santa Barbara Renaissance Faire, Rakkasah Belly Dance
Festival in Richmond, CA, Desert Dance Festival in San Jose, CA and
other events in Santa Barbara.
Bay Area
In late 1997, Amanda completed her Ph.D. in Materials Science
and moved to the San Francisco Bay Area for work. At that time, she began
studying with Dunia and soon thereafter with John Compton
and Rita (Rebaba) Alderucci as well.
During 1998, Amanda danced with an Arabic music and dance
troupe called Sikah, founded by Hala Fauzi. Sikah performed at local Arab cultural
functions in the Bay Area.
In Fall of 1999, John and Rita invited Amanda to join their Middle Eastern folkloric dance troupe Hahbi'Ru, with whom she has performed ever since. Hahbi'Ru performs regularly at Bay Area Renaissance Faires, corporate events, and dance festivals, and Amanda is often featured in Hahbi'Ru shows as a solo sword dancer.
In addition, since 2004, Amanda has performed frequently
with Danse Maghreb, a San Francisco-based
company under direction of Janine Ryle, whom she met in John and Rita's
classes. Danse Maghreb is dedicated to the presentation of Algerian dances,
particularly those of Algeria's berber population, the Kabyle.
Throughout her years in the Bay Area, Amanda has sought opportunities to expand and present her solo dance experience as well. To that end, Amanda performs as a solo Oriental dancer at numerous Bay Area dance events -- Rakkasah, Desert Dance Festival, Friday nights at Straw Hat Pizza in San Jose, MECDA haflas and more -- and periodically as a featured dancer at Kan Zeman Restaurant in Palo Alto.
Turkish Dance
In spring of 1998, Amanda took a workshop in Turkish Romani dance
from Elizabeth (Artemis) Mourat and discovered a style that
fired her artistically like none other. Since then, Amanda has sought
as much instruction in Turkish dance -- Romani, Oryantal, and folk dance
-- as she can find. To that end, she has taken workshops with Elizabeth
Mourat, Suzie Tekbilek, Dalia Carella, Eva Cernik,
Tayyar Akdeniz, Ahmet Luleci, and Elizabeth Strong.
In 2003, Amanda joined Stanford's Turkish folk dance troupe,
Yore Folk Dance Ensemble.
She had the great honor of joining Yore for its performances at the San Francisco Ethnic
Dance Festival in June, 2004. She was also honored when Yore asked
her to present a solo Turkish Oryantal piece for their full evening
of Turkish dance in March, 2004: Anatolian Spirit, the Journey of Dance.
Amanda has traveled to Turkey twice to study dance on tours
led by Eva
Cernik and Helene
Eriksen. Eva's tour in May 2001 comprised a three-week trip around major
sites in Turkey and offered numerous Oryantal and folk dance shows, Oryantal workshops by dance
stars Sema Yıldız and Birgül Begay, and Romani workshops with Serpil
Murtezaoglu, PhD., a teacher at the Turkish State Music Conservatory.
During this first tour, Amanda had the honor and thrill of joining Birgül
onstage at the Orient House Nightclub for a Romani-style women's duet.
On Helene's tour in April 2005, Amanda experienced a broad range of Turkish
music -- classical, fasıl, Roman, Sufi, among others -- and had wonderful
opportunities to study with Reyhan Tuzsuz, a delightful Romani dancer,
and Nihal Ökten, a folk dance professor from the Istanbul Teknik Universitesi.
This tour also provided the chance to observe Turkish dance among its natives:
at bars and restaurants, in folkloric dance group rehearsals and performances,
and even at an Alevi party.
In January 2006, Amanda was honored to be chosen to present
a solo of Turkish Romani dance at the SF/Bay Area MECDA chapter's
annual Gala Show, Passages: A Journey through Dance in Palo Alto.
Travels and Training
In addition to trips to Turkey, Amanda traveled to Egypt in summer
2004 to attend and study dance at Raqia Hassan's Ahlan wa Sahlan Festival.
Among highlights of the festival were taking a master class from one
of the last remaining Ghawazi dancers, Khareya Maazin, watching Egyptian
dance star Dina perform at the Opening Gala, and observing the universality
of raqs sharki as presented by dozens of festival attendees from
over 30 countries. Another highlight of the tour, which was led by Lucy Smith of
Scheherezade
Imports, was seeing the exciting
Al Tanoura, the Egyptian Whirling Dervish show, at Cairo's Citadel: Egyptian
folk dance and music at its very finest.
Most recently, Amanda visited Armenia in May 2005. Amanda's love of
Armenian dance, particularly Armenian classical dance, started in a weeklong
workshop with Helene Eriksen in 1999. On the 2005 tour led by Tineke van Geel of
the Netherlands, Amanda had the opportunity to study Armenian dance with
Ashot Asajian of the Sayat Nova Dance Academy in Yerevan. One of the most
beautiful memories of the trip was watching the talented dancers from this
academy -- all perhaps 15 to 18 years old -- rehearse a 50-minute suite of
classical and folk dances. Their grace, poise, and youthful energy were inspiring.
Amanda expands her knowledge with workshops and master
classes whenever possible. She frequently attends
the Mendocino Middle Eastern
Music and Dance Camp, which always offers a world-class faculty of
dance teachers and the opportunity for immersion in Middle Eastern music
and dance for a week each year. Over the years, Amanda has studied many
ethnic dance styles and learned from many additional teachers who have inspired
her: women's Khaliji dance from Saudi Arabia, Afghani women's
dance, Georgian and Uzbeki classical dance -- all from Helene Eriksen; Lebanese dabkah
from Hassan al-Harfouche and Gaby Shiba; Persian classical and folk dance
from Dr.
Robyn Friend and Laurel Victoria Grey; Azerbaijani classical dance from
Gürbüz Aktaș; Algerian berber dance
from Amel Tafsout;
Tunisian dance from Leila Haddad, Aisha
Ali, and Malia de
Felice; among many others. She also takes master classes with
top Oriental dancers whenever possible, including Aziza Sa'id, Fahtiem, and Suzanna
del Vecchio.
Halanda Studio
In 2006, Amanda joined forces with long-time friend Hala to open a studio
dedicated to offering dance styles from around the world. Halanda Studio officially
opened on May 14, 2006 with an afternoon of dance performances that reflected
the international scope that Amanda and Hala wish the studio to present:
dances from Egypt, Turkey, India, Mexico, Argentina and beyond. Amanda
plans to host a number of workshops at the studio, offering the best of
Near Eastern dance instructors.
Ballroom Dance
Diversions
In addition to Middle Eastern dance, Amanda has also studied
vintage ballroom dance (waltzes, polka, swing, etc.) in the
vibrant ballroom dance community in the Bay Area. Since March
2002, she has been a regular attendee at vintage dance events
throughout the Bay Area, including Friday Night Waltz, PEERS Balls, and Gaskell Balls. In December 2002,
she joined the cast of Fezziwig's
Warehouse dance party at the Great
Dickens Christmas Fair for a holiday season of dance, improvisation,
and entertainment.
This page last updated May 26, 2006 by Amanda Baer.
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